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He’s still obsessed with high resolution, which he thinks is the only way to achieve sound quality.
Probably but the post also highlights artist compensation which I am obsessed with. 
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He’s right about that. It would have been nice to mention that first.
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Have you listened some of the original album quality, he’s pushing 24/192 for stuff recorded in someone’s barn as a 1970’s recording studio.
“If you ain’t ot the clay you can’t make the pot”
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While utterly stoned.