Hey, youâre welcome to disagree, I welcome anyoneâs opinion without any ego about it. Thatâs what I think these forums are for.
I clarified the language of my poorly-worded âpragmatic perfectionâ to illustrate my actual point, which was that weâve achieved the technological limits of what our ears can process with modern DACs. Thatâs not opinion, thatâs empirically proven fact. Any further improvements in DA conversion that increase dynamic range, lowers the noise floor or reduces distortion have been inaudible for the past several yearsâweâre incapable of hearing much beyond a 96db dynamic width, which means the best ears canât discern much beyond 18 bit sound sources,
This doesnât mean that I donât enjoy having gear that can produce 768 kHz or DSD 512âI own such gear in the Neo Stream and my Topping d90se, and I like the fact that I have high resolution sound sources available to me, even if I canât hear their differences.
However, your assertion that the Holo May or the DAVEâs DAC sectionsâmeaning only the DAC itself and not any bundled preamp, amplifier, filters etcâsound different than far cheaper ESS or AKM based DS DACs is not borne out by the scientific or empirical data. In fact, we know that R2R ladder DACs, as an example of often expensive wares, have far lower dynamic ranges and far more noise and distortion than delta sigma DACs, and weâve proven multiple times through rigorous measurements that the eight year old Chord DAVE performs much worse than an inexpensive option such as an SMSL SU-9 Pro at literally 1/30th of the cost.
Of course the DAVE is not a pure DAC; it is an integrated DAC/Amp, and I never said it would sound the same as the SMSL paired with an amp. But Chord can get away with saying itâs better to the tune of 30 times the cost, even though its technology is eight years old, because our ears canât discern the differences between what its DAC outputs compared to the SU-9. That extra distortion and noise the DAVE produces isnât audible, and in fact whatever distortion it does audibly produce might in fact have some components of even order harmonics that some folks like. Thatâs the principle of valves and vinylâalthough digital distortion is much more likely to be odd order harmonics that are decidedly unpleasant. But who knows, maybe Watts got lucky.
The debate between those who believe in audio science and those who believe cost defines quality will continue to go on forever, and Iâm at peace with that. But as someone who is a scientist by profession, and who has invested considerable effort to educate myself about audio technology for the very purpose of protecting my wallet from marketing hype, I feel a sense of responsibility and purpose to share what I learn with others in the hopes that they might not make the same costly mistakes Iâve made on my own journey. I donât try to stop others from posing other arguments; itâs up to each person reading these forums to decide which points of view resonate with them and to make purchasing decisions accordingly.
That being said, if someone does make claim that a piece of gear that costs as much as a Holo May sounds superior to something that measures as exquisitely as a Topping d90se or an SMSL SU-9 Pro, both of which cost several orders of magnitude less, Iâm going to ask them for objective proof. âI can hear a differenceâ is not an acceptable response, any more than it would be for any product for which one has already invested a fortune. And Iâm particularly suspect of any âpremiumâ manufacturer, such as Chord or PS Audio, who donât release their own measurements. Shouldnât anyone be, when being confronted with those asking prices?
Anyway, to get back to the topic, Iâm open to hearing what specific advantages this HQPlayer offers over Roonâs native DSP engine. I see lots of complicated selectable tweaks and options, but no evidence that the end result is objectively, audibly improved enough through the effort of playing with them to justify the extra work and expense. If you have any data supporting these endpoints, I would welcome them! PeaceâŚ