I think it is early to tell, but I give it a strong “maybe”. I think many of have many listening zones and environments – home (many scenarios), car, outside, work, travel, commute – some of them benefit from hi res and some don’t. Many people have family accounts… are kids and significant others on Spotify or Apple Music? What are the features in software and in the attached ecosystem of audio gear.
I think this has opened the door to many Roon users to more strongly consider options. I know I am, even with my Roon lifetime sub in hand.
I’ve attached my MacBook Air M1 to my Chord Hugo TT2 to my Parasound P6 preamp/A21+ amp. And it sounds pretty good. Not quite as good as when my Hugo/Parasound is fed by my Lumin U1 Mini streaming Qobuz, but not a gigantic world of difference.
There appear to be some really good Atmos mixes and really sh!t Atmos mixes.
Same as stereo music since forever I guess
More channels doesn’t automatically equal better.
Can you share which albums specifically sounded muffled?
For non-Atmos content, ie In terms of upmixing, Auro 3D upmixer has long been regarded by many people I respect as better (subjectively) than Atmos upmixer.
None of the Amazon apps are even capable of bit perfect playback with auto sample rate switching, on both desktop or mobile apps, with a USB DAC. And that’s after approx 2 years.
People using Apple Music on iOS with USB DAC are indeed getting bit perfect playback. For free That’s something Amazon Music HD customers can’t do, for 2 years now.
Beatles - Here Comes the Sun. AM Atmos vs. my local 7.1 48/24 wav.
The Doors - Riders on the Storm. AM Atmos vs. my local 5.1 96/24 wav.
Weezer - Island In The Sun. AM Atmos vs. my local 44.1/16 AIFF, upmixed via Auro-3D.
In all cases, the clarity and detail of my local files sounded far superior (to me).
I focused on Atmos because I really enjoy multichannel and that’s the main potentail appeal of AM to me. I should clarify that the “spatiality” of the AM Atmos tracks did sound good to me (e.g., Billie Eilish’s “my future”). But the detail was inferior compared to my lossless tracks, resulting in the muddy muffled compressed sound I mentioned. Makes me wonder what the AM audio signal really is that I’m getting. I have a hard time believing that it’s lossless multichannel.
I have not attempted to do anything with AM stereo tracks, so none of my impressions apply to those.
That’s been my impression, too, or at least, my preference.
Ah, thanks for that clarification! I don’t have much experience with Atmos music, except on a couple of physical discs I purchased and ripped. On those I definitely extracted TrueHD (+ the Atmos info).
Do you know how I can determine what bit rate/sample rate/codec the ATV4K is actually receiving? Some screenshots above seemed to show this – maybe via Audirvana…? TIA for any info.
EDIT: Just saw this:
Oh, I had stayed away from that (because Voldemqart
Your impressions actually match mine and a popular trend I’ve noticed since Amazon Music HD and Tidal supported Atmos Music - old stuff that’s been re-mixed in Atmos can be meh but new stuff ‘properly’ mixed in Atmos good.
I’m looking forward to Apple Music forcing a big boost in Atmos Music content, mainly for new music.
My older favourites will continue sounding great in plain old boring 2 channel
The fact that some labels have pushed MQA to Apple Music (like Qobuz and Amazon Music HD) makes it easy to test this with an MQA DAC. As you can’t get the infamous blue/magenta light without bit perfect playback (well a couple smart people have done some sneaky tricks but that’s for a different discussion) .
His test result here is proof of bit perfect playback, so something wrong with his HDCD tests:
Not sure anyone was TBH. I expect obfuscation and hopeless implementation from Apple, and seems like they delivered in spades, as per usual with any shiny new object. How anyone could think this garbage competes with Roon is beyond me. Hell, even Spotify is light years ahead.
It’s not much better, for Amazon you can buy a non Apple/Amazon device to get bit perfect into your hifi and in full glory that has DAC or can be used with another DAC. That was available pretty close to release. They are equally as bad in my eye. Either way you have to fork out to listen to it properly if you didnt have said device already.
Yeah, I’m not sure it really matters any more. Especially as its complicated on Mac: click the lossless icon in Music to check the format, open Audio MIDI setup, change the output format for the DAC, return to Music, press play! Why not just leave Audio MIDI setup at your max supported rate?