No, you think it is nonsense. That does not make it nonsense.
Now you’re changing what he said, aren’t you? He asserted it as a fact. Please don’t change what people say when you refer to their statements.
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No, science and engineering PROVE it’s nonsense. I don’t care what your subjectivist beliefs are.
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2+2=4, regardless of anybody’s thoughts on the matter!
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I was paraphrasing based on memory, so my numbers weren’t exact, but the message remains the same:
See the 15th post by “guitarguy”.
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Nonsense? No, it’s a fair roll call of digital audio-quackery. If I had to criticise I’m disappointed that linear PSUs for said devices were left out 
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My bad, linear PSUs escaped my memory on the list of digital audiophoolery. After all I’m nearly 51 years old 
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The Audioquest Vodka has “GEOMETRY STABILIZING SOLID HIGH-DENSITY POLYETHYLENE INSULATION.” It’s in caps, so you know it’s extra special. Personally, I like the idea of never having to worry about geometry stabilization again.
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Is that fancy language for “it’s stiff and holds its shape”?
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I can’t find a way to like that post enough. That is an absolutely flawless nail/hammer interface.
There is a post earlier in that thread which should serve to contextualise why the smoke-and-mirrors still pervades:
Very different from an analog cable where the signal can be colored by the cable medium or interference.
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Does that include self induced geometric instability?
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I don’t think there’s any arguing with that post 
Analogue cable discussions are in a whole different snake-pit. In theory, they shouldn’t make any difference if industry standard source output and destination intput impedances are used (1kohm/47kohm). But when you factor in oddball electronic designs with weird input/output impedances and then add in esoteric cables with out of the park capacitance or inductance, very weird things can happen to frequency response. “System synergy” as audiophiles like to call it, or cr@p engineering as I like to call it.
And then there are some speaker cables that by their very design can cause an amplifier to go into oscillation.
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How hard do you think they laugh when they come up with that sort of thing?
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It has to be part of the team pub lunch on Fridays, surely?
Everyone writes down 4 or 5 multi-syllable words, each on a single scrap of paper that is then dropped into a hat. They must ensure some tenuous technical connotation can be attributed to each word, of course.
After 3 pints, someone pulls them out of the hat one at a time and writes down the ensuing literary-diarrhoea for use in the next marketing campaign.
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Geometry stabilization becomes a bigger issue with age. It should be in all caps.
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I certainly need geometry stabilizing after several large vodkas.
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I have been caught buying some snake oil over the years… Luckily not a lot. Yup, Ethernet cables just takes the biscuit. Good points in this thread re standards, impedance matching, measuring, audible or not etc. Hope this thread saves new audiophiles from parting with their hard earned money. BTW purple cat6 cables sound best over the yellow ones… As if a vail was lifted. I think it’s subjectively to do with the way light is absorbed or sum’it like that. Anyway it’s good to look, question and learn or we would still be in caves listening to bird song…!
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That’s why I use DSP active speakers. The final output is designed. I listened to the result and I liked it. No one else has to…
No speaker cables to worry about, no amp matching to do, no major tweaking to worry about, just sit back and enjoy a great sound
No that’s ‘viagra’. It may make a better climax to 1812.
Nowadays 2+2 = whatever you “feel” or “believe” it is. 
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