Audiolense is running under Win11 in Parallels 17 pro on my Mac Studio.
Be careful not to attach the USB audio input and output to the Parallels VM. Just let the USB devices connected to MacOS. Then you can select the devices (in my case a USB UMIK-1 or UMIK-2 and my DAC connected via USB) in Audiolense new measurement page.
I have to enable WASAPI Exclusive mode and Direct Sound in the Advanced Settings tab to hear the sweep and get my mic working.
Here’s the Dolby curve I use for Atmos contents. All control points follow Dolby’s spec except bass cut-off frequency. I wish I’m rich enough to own an excellent woofer.
In my case Dirac would be useless because it doesn’t support DSP crossovers and won’t create filters that I can directly import into HQPlayer Embedded.
Other than that, Dirac Live is superb.
miniDSP’s Umik-1 is enough to get great results without breaking the bank.
I use Earthworks M30 - hopefully I never have to buy another mic again !!
For me, Dirac doesn’t support 24/352.8 sampling rate. I use Merging+Anubis with Earthworks M30 to do the frequency sweep and DRC for multichannel speakers in 24/352.8 resolution. That’s the highest industry standard so far that very few software can do…
Yeh once AL spits out the mono WAV files, HQP on Mac or Linux or Windows treats it all the same.
While you don’t need Parallels, you will be spending quite a bit of time back and forth on Audiolense itself tweaking your corrections.
Since I hate using Windows, I use Audiolense on Parallels on my iMac to do all that stuff.
If you email Bernt and tell him you use a laptop for measurements and a desktop for creating the correction files, he should be able to send you another license key for no extra cost.
But if you’re happy with using the Windows for all things AL, then no need for Parallels
What A to D do you have? That is essential to feed to the mic input into Windows/AL
Mitch also has a good book (more directed to accurate) but with a very nice explanation about the main concepts and a nice chapter about EQ curves (everyone should try the AES/EBU curve and the “Harman” one).
One of the most important guidelines is, when measuring, create a reflection free zone - that is, move away all your furniture and any other object that is between the listening position and the speakers (the can be behind the listening position) and then take the measurement. It makes a lot of difference.
Archimage has also written some blogs on measurements and correction with Accurate.
For those who are wondering whether to go with AL or Acourate, Acourate V2 is absolutely fantastic, and Uli is a very helpful.
I dont have experience with AL. But acourate is a true toolbox for everything DSP.
V2 main feature is the possibility to compensate for differences in group delay in left and right channels, up to 200hz. this brings a new whole world of bass coherence, and soundstage stability.
If you already have a target curve of your preference, I dont think you need to buy the full license to compare. Just drop Uli a note, send him a measurement, the target curve and one or two music files, and he will do a quick job of returning you the files already corrected. It is a good “test drive”.