This kind of fake hires is flooding the market each week.
Fake hires was found on HDTracks many years ago but now we have this stuff coming every week on Apple Music, Amazon Music HD and Qobuz, on major labels.
Would be great @jussi_laako if HQP could see this was a fake and then apply appropriate filter, in this case above 22kHz is crap - no music at all.
These looks like an upsample indeed. With a poor algorithm.
Seems to becoming a bigger issue than I expected.
Yes, looks like this will need an action. Biggest challenge is to make such work with something like Roon, where HQPlayer doesnāt necessarily see the track boundaries. And you donāt want such filters to randomly kick in and out.
Manual filter switch is straightforward, but only nice when you are listening full albums (like I do).
For local HQPlayer library that can be pre-scanned it is also straightforward.
With automatic realtime switch the issue is that thereās a lag, because it takes some higher level content to detect properly. Not necessarily too bad though.
These are interesting to me, but I am not sure if I reading correctly, on the bottom graph (pink), you can see a clear line around 22k, is that where the music essentially stops?
I see the Track Frequency Response from Audivana, notng a HD bitdepth and Bandwidth, is this not a disparity, or is that the point? e.g. The track frequency response says one thing but the graph shows the reality?
Yep pretty much. As Jussi mentioned, anything above is likely upsampling for this release.
Since there is something above 22kHz Audirvana thinks it is music. If @jussi_laako did this, you can bet HQPlayer would be more advanced.
I wouldnāt read too much about what Audirvana guesses - the plot is more interesting.
If there is nothing above 22/24kHz then Audirvana guesses correctly. See what I posted in this thread already for Coldplayās recent release. Here is a beautiful fake:
No it is not, it was designed for those cases. Not for these kind of cases where half or more of the spectrum is junk.
Haha, a few corrections to what he saidā¦
Pyramix / DXD is Philips origin solution. Sonoma (with itās 8-bit āDSD-wideā) is Sony origin solution.
Too bad they have not heard of HQPlayer Pro for doing such things .
I would avoid rate down conversions, since the clipping makes rate conversion really test the algorithm. Whether 48k version is better depends on how it has been done. If the mastering was done at 96k, I would stick with the 96k version and then try to fix it.
But I will look into suitable āclean up junkā filters.
I think Tidal just auto-converts most content to MQA, since I doubt labels would deliver so many different versions. AFAIK, for example Apple gets just one. But I can check Tidal at some point.
Or maybe I add an additional ācut the crapā filter you can toggle on the fly and keep using the existing upsampling filters.
Although it would be easy to bake into a separate oversampling filter as well.
Yes, I was thinking about something near the adaptive gain check box that you can toggle.
I think I will need to add a new dialog similar to āDSD Source Settingsā, like āPCM Source Settingsā where you can choose a suitable junk filter.