I just received my TDAI-1120 a week ago, and what a lovely device. Don’t let anyone tell you that it’s a Class D amplifier. It’s digital, but not Class D. In fact, it doesn’t have an amplifier in the sense that we know them, but instead a very high-powered DAC that changes a PCM signal to a PWM signal, with the speaker jacks serving as the amplified analog output. The “TD” in TDAI-1120 stands for “totally digital,” and those speaker jacks are the first analog section of the device. (There is also an analog subwoofer output pair of low-level RCA jacks.)
The fact that the TDAI-1120 is missing nearly all the components that make up traditional amplifiers accounts for the featherweight chassis and power-sipping nature. I had it playing so loud through SVS Ultra Towers that our home’s windows were rattling, but couldn’t get my Kill-A-Watt to measure more than .25 amperes or 30 watts of power consumption. The TDAI-1120 also wouldn’t get hot. I nicknamed my Lyngdorf “Noisy Cricket” after the tiniest-but-most-powerful gun in the original “Men in Black” movie.
Beyond the technical stuff, the sound is sublime. After trying room correction software over the years from Pioneer, Yamaha, Lexicon, Anthem, and Integra, Lyngdorf’s RoomPerfect blows them all away. Other systems make your room and speakers conform to predetermined EQ curves that indeed do some correction but give all speakers a similar character (and typically hobble dynamics in the process). RoomPerfect measures the room in a completely different way, then compensates for the room in multiple domains so that your speakers play with their uniquely-designed character, their signature sound, the sound you fell in love with and paid for.
RoomPerfect also does a fantastic job of integrating one or two subwoofers with any satellites, bookshelf or floorstanding, handling all the phase issues automatically so that you don’t need a degree in rocket science or have to buy pricey bass software add-ons.
And, unlike all my experiences with the other room correction systems, the Lyngdorf doesn’t calibrate all the deep bass punch away, forcing me to crank my subwoofer gain controls post-calibration. In fact, RoomPerfect makes the bass MORE muscular and visceral, not less, while staying musical. As others have noted here, you also have a lot of control over EQ, pre- and post-calibration.
After calibration, this is the first time I’ve heard my speakers sound as good as they do at the hi-fi shows. Better, actually. The Lyngdorf has no trouble driving our reasonably efficient floorstanders; in fact, powerful transients can be startling, closer in dynamic range to real instruments than with any of our more-powerful previous amplifiers. I can’t explain where this magical device gets all that speed, but I sure can hear it.
The TDAI-1120 web interface control is a ton of fun. Find a good review that goes over the web interface, because it would take pages to describe its level of control here.
Roon is rock-solid through the Lyngdorf. Open the Roon app on my iPhone or iPad and start playing music, and the TDAI-1120 automatically springs to life, switches to the Roon input, and begins playing at my preset volume.
It’s only been a few days, but this is already my favorite amplification device of all time. I can’t stop smiling while listening to music. Makes me feel young again.