Kashperova is indeed a wonderful discovery, even though she was able to compose relatively few major works. She was extensively covered by BBC Radio 3 in Composer of the Week in 2022, which includes some premieres. I have extracted some background for those unable to access the BBC website.
Leokadiya Kashperova: a forgotten female composer gets her moment. The Russian pianist and composer, admired during her lifetime, has been largely forgotten. Enter Radio 3’s Composer of the Week.
The focus of this week’s programmes is the composer Leokadiya Kashperova (1872-1940), and the series marks the 150th anniversary of her birth. Exceptionally, the series will feature a number of UK premieres. Plus – for the first time in the history of Composer of the Week – the entire week will be made up of specially recorded works. Leokadiya Kashperova: the composer and pianist worked with Stravinsky, Rubinstein and others. For many decades, Leokadiya Kashperova was best known, if at all, as piano teacher to one Igor Stravinsky. Her full story as a musician and composer has finally now been unearthed, through the researches of Dr Graham Griffiths, supported by Radio 3’s Forgotten Women Composers project.
During her lifetime, Kashperova was described as ‘a most welcome phenomenon of St Petersburg’s musical life’. She studied composition with Nikolay Solovyov and piano with Anton Rubinstein, who predicted that she would eclipse all the men at the St Petersburg Conservatory. The contemporary Russian composers Alexander Glazunov and Mily Balakirev favoured Kashperova in the interpretation of their music and she travelled internationally as a soloist, performing her own compositions and others. Before 1917 most of Kashperova’s works were published and heard, but the arrival of the Russian Revolution caused her voice to be silenced. Public performances of Kashperova’s music stopped altogether because of her connections with the gentry. Private performances were rare. She continued to compose – but now without any hope of hearing it played.
‘Her orchestration is remarkably sure-footed, robust and inventive; her lyrical qualities are passionate and gloriously affecting’: Jane Glover on conducting Leokadiya Kashperova’s B minor Symphony
'I was thrilled to be asked to include the B minor Symphony by Leokadiya Kashperova in a programme of music by forgotten female composers. 'I knew little about Kashperova beyond the fact that she had taught the piano to Stravinsky, and was a considerable pianist herself. So discovering the incredible qualities of her own composition through this hugely impressive symphony was a wonderful experience. 'Without question, Kashperova was formidably equipped: her orchestration is remarkably sure-footed, robust and inventive; her lyrical qualities are passionate and gloriously affecting; she has a great sense of structure, even drama; and, above all, her music is completely Russian. 'She includes two Russian themes in the course of the symphony, one in the second movement and another in the finale, and beyond these her whole palette of colour and gesture is steeped in the world of her great Russian symphonic forebears.
‘This lovely work deserves to be heard a great deal, and I felt so honoured and privileged to be part of its reawakening.’