What we are listening to [2019]

[alex_wood (Vinyl is still King, but Roon is heir apparent.)]

[alex_wood (Vinyl is still King, but Roon is heir apparent.)]

[alex_wood (Vinyl is still King, but Roon is heir apparent.)]

[dunga (Peter)]

[Dick_Vliek]

[dunga (Peter)]

[Peter_Hafkamp]

[dunga (Peter)]

[CrystalGipsy (Resisting the flow!)]

[seaharp1]

[evand]

[CrystalGipsy (Resisting the flow!)]

Rather poppy for the Lashes although retro poppy.

[evand]

[dunga (Peter)]

[CrystalGipsy (Resisting the flow!)]

[CrystalGipsy (Resisting the flow!)]

[CrystalGipsy (Resisting the flow!)]

It’s been a while since I played this.swinging number. Bloody marvelous.

[miklats]

To record Bach’s Six Suites was Emmanuelle Bertrand’s most cherished dream; it has now become reality thanks to her encounter with an exceptional instrument. Built by Carlo Tononi in Venice in 1730, this cello with its deep and generous sound, set up in ‘Baroque’ style (with gut strings and bow to match), has proved to be the most faithful of partners for tackling one of the most impressive monuments in all western music.

[rrwwss52 (Robert)]

[rrwwss52 (Robert)]