Yggdrasil v DSD

[hmartin (Martin)]

@jussi_laako

That was the part about learning how different filter properties sound. Next learning step is to move to recorded sounds and recognizing same properties from there. My “transient toolkit” consists for example sounds of wood and metal claves, wood block, soprano glockenspiel, maracas, castanets, etc. Originally recorded at 192/24, 96/24 and 44.1/24 and then also various conversions of the 192/24 to 44.1k. Recorded at same microphone distance as my hand-to-ear, so I can easily compare how those sound recorded vs direct acoustic sound, at matching levels (close to 100 dB peak max).

Thanks, yes that certainly makes more sense and seems like a good ”listening” process.